![\"\"](\"https:\/\/plotn08.org\/wp-content\/uploads\/2026\/11\/1793491461_1.webp\")
\nOLD MAN OF WANDERING MOUNTAIN make their full-length statement with \u201cI\u201d, a vast, atmospheric collision of progressive rock, post-metal and slow-burning psychedelic weight. Heavy riffs rise like cliffs through fog, then dissolve into quieter passages where synths, saxophone and space are allowed to breathe.<\/p>\n
<\/p>\n
The project is led by Brandon Bodhi Denton, who handles vocals, guitars, bass, keyboards, songwriting and production. That gives \u201cI\u201d a remarkably unified character: even when the music shifts from crushing heaviness into ambient drift, it still feels like part of the same landscape.<\/p>\n
\u201cBuried Thrones\u201d opens with a patient, cinematic build before the guitars begin to gather weight. \u201cThe Mountain Pass\u201d keeps that sense of scale alive, while \u201cSaints & Friends\u201d brings Tyler Semrick-Palmateer into the vocal picture and gives the album a different shade of tension.<\/p>\n
\u201cHymn of Seven Suns\u201d pushes further toward the ritualistic side of the project, balancing melody and repetition against a heavier progressive backbone. \u201cTemple of the Storm\u201d is the album\u2019s longest early statement, nearly ten minutes of slow escalation, dense guitars and atmosphere thick enough to walk through.<\/p>\n
\u201cStill, the Light\u201d pulls the pressure back before \u201cThe River\u201d and \u201cMoonchild\u201d introduce two of the record\u2019s most reflective pieces. Those tracks had already appeared together on the \u201cMoonchild\u201d EP, and they fit naturally here as a quieter middle passage rather than detached bonus material.<\/p>\n
\u201cSunbearer\u201d brings the heaviness back with more force, while the closing \u201cRedeemer\u201d ends the record on a shorter, more concentrated note. By that point, the album feels less like ten separate songs and more like one long movement through mountains, light, water and ruins.<\/p>\n
The use of saxophone and additional horns keeps the arrangements from becoming predictable. Those instruments do not turn the album into jazz fusion; instead they appear like unexpected weather, cutting through the guitar mass and widening the sonic space.<\/p>\n
\u201cI\u201d works because it never mistakes heaviness for constant volume. The quiet sections matter just as much as the crushing ones, and the album understands that a riff often hits harder after several minutes of restraint.<\/p>\n
Country: Indonesia
\nLabel: Orange Cliff Records
\nGenre: Progressive Rock \/ Post-Rock \/ Post-Metal
\nYear: 2026
\nFormat: Digital \/ 24-bit<\/p>\n
Tracklist:
\n01 \u2013 Buried Thrones (07:40)
\n02 \u2013 The Mountain Pass (06:34)
\n03 \u2013 Saints & Friends (05:38)
\n04 \u2013 Hymn of Seven Suns (06:23)
\n05 \u2013 Temple of the Storm (09:55)
\n06 \u2013 Still, the Light (05:13)
\n07 \u2013 The River (06:30)
\n08 \u2013 Moonchild (04:55)
\n09 \u2013 Sunbearer (08:33)
\n10 \u2013 Redeemer (04:12)<\/p>\n
Brandon Bodhi Denton \u2013 Vocals, Guitar, Bass, Keyboards<\/p>\n
Guests:
\nLucio Cheli \u2013 Drums
\nTjok Gede Kerthyasa \u2013 Saxophone
\nKunatones \u2013 Horns
\nTyler Semrick-Palmateer \u2013 Vocals on \u201cSaints & Friends\u201d<\/p>\n
turbo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" <\/p>\n The project is led by Brandon Bodhi Denton, who handles vocals, guitars, bass, keyboards, songwriting and production. That gives \u201cI\u201d a remarkably unified character: even when the music shifts from crushing heaviness into ambient drift, it still feels like part of the same landscape.<\/p>\n \u201cBuried Thrones\u201d opens with a patient, cinematic build before the guitars begin to gather weight. \u201cThe Mountain Pass\u201d keeps that sense of scale alive, while \u201cS Read more: Old Man of Wandering Mountain – I (2026)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-460869","post","type-post","status-publish","format-standard","hentry","category-progressive"],"_links":{"self":[{"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/posts\/460869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rockaor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=460869"}],"version-history":[{"count":1,"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/posts\/460869\/revisions"}],"predecessor-version":[{"id":460870,"href":"https:\/\/rockaor.com\/index.php?rest_route=\/wp\/v2\/posts\/460869\/revisions\/460870"}],"wp:attachment":[{"href":"https:\/\/rockaor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=460869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rockaor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=460869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rockaor.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=460869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nOLD MAN OF WANDERING MOUNTAIN make their full-length statement with \u201cI\u201d, a vast, atmospheric collision of progressive rock, post-metal and slow-burning psychedelic weight. Heavy riffs rise like cliffs through fog, then dissolve into quieter passages where synths, saxophone and space are allowed to breathe.<\/p>\n