![\"\"](\"https:\/\/plotn08.org\/wp-content\/uploads\/2026\/11\/1793495334_1.webp\")
\nSwiss progressive metallers STEREOPHRENICS make their full-length debut with \u201cParacosm 2.0\u201d, a dark and atmospheric record where heavy riffs, gothic tension and theatrical vocals keep slipping in and out of focus. It feels less like a straight metal album and more like wandering through somebody else\u2019s subconscious with the lights flickering.<\/p>\n
<\/p>\n
The album revolves around altered states of consciousness, imaginary worlds and the uneasy border between reality and perception. That concept suits the music perfectly: STEREOPHRENICS rarely stay in one place for long, moving from heavy progressive passages into melancholy keyboards, quieter interludes and more dramatic vocal sections.<\/p>\n
\u201cHypnagogia\u201d acts as a short doorway into the record before \u201cParacosm\u201d opens the whole landscape. At over six minutes, it balances weight and melody with a strong chorus and enough atmosphere to make the title feel earned.<\/p>\n
\u201cPace Ad Infinitum\u201d keeps the darker mood alive, while \u201cState Of Paradox\u201d is one of the album\u2019s strongest pieces. Female and male vocals answer each other across shifting riffs and keyboard passages, creating a real sense of psychological tension rather than simply stacking layers for effect.<\/p>\n
\u201cAnima Lumina\u201d, sung in Italian, brings a different texture into the middle of the album, while \u201cLilith\u201d works as a short, eerie interlude. \u201cMorpheus\u201d then pulls the record back into heavier territory before \u201cOneiric\u201d closes things on a brief, dreamlike note.<\/p>\n
Elisa Colacioppo\u2019s voice is a major part of what gives STEREOPHRENICS their identity. Her more lyrical delivery contrasts well with Thijs Kos\u2019 backing vocals and the heavier instrumental side, giving the music a gothic edge without pushing the band into full symphonic-metal bombast.<\/p>\n
The influences are easy enough to trace \u2014 PAIN OF SALVATION, EVERGREY, EPICA, LACUNA COIL and THE GATHERING all sit somewhere in the background \u2014 but \u201cParacosm 2.0\u201d works because the band do not simply copy any one of them. The record feels rougher, stranger and more restless than that.<\/p>\n
For a debut album, there is already a strong sense of personality here: progressive without becoming clinical, gothic without drowning in velvet, and heavy without losing the atmosphere.<\/p>\n
Country: Switzerland
\nLabel: Greensunlight Productions
\nGenre: Progressive Metal \/ Gothic Metal \/ Atmospheric Metal
\nRelease date: October 21, 2026
\nFormat: Digital
\nTotal time: 35:17<\/p>\n
Tracklist:
\n01 \u2013 Hypnagogia (1:25)
\n02 \u2013 Paracosm (6:35)
\n03 \u2013 Pace Ad Infinitum (5:16)
\n04 \u2013 State Of Paradox (7:40)
\n05 \u2013 Anima Lumina (6:03)
\n06 \u2013 Lilith (1:47)
\n07 \u2013 Morpheus (4:02)
\n08 \u2013 Oneiric (2:29)<\/p>\n
Elisa Colacioppo \u2013 Vocals
\nGiovanni Tramparulo \u2013 Guitars
\nNicola Giandomenico \u2013 Keyboards, Samples
\nThijs Kos \u2013 Bass, Backing Vocals
\nValentin Boada \u2013 Drums<\/p>\n
Recorded, mixed and mastered by Serge Moratel at REC Studio, Geneva<\/p>\n