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\nBefore the hairspray towers, pyro budgets and tabloid mythology, M\u00d6TLEY CR\u00dcE were four hungry maniacs trying to set Los Angeles on fire with whatever they could afford. The original Leath\u00fcr Records version of \u201cToo Fast For Love\u201d is that moment caught on tape \u2014 raw, filthy, fast and still dangerous enough to leave tyre marks across the speakers.<\/p>\n
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Originally self-released in November 1981 in a run of only around 900 copies, this is the album before Elektra cleaned the windows. The guitars are rougher, the rhythm section hits with less polish and more street-level impact, and Vince Neil sounds like he is singing from the middle of a club rather than the other side of a major-label mixing desk.<\/p>\n
The difference is not simply louder or dirtier mastering. The original Leath\u00fcr edition carries its own mix and sequencing, and \u201cStick To Your Guns\u201d \u2014 removed from the later 1982 Elektra configuration \u2014 sits right in the middle of the record like a switchblade somebody forgot to confiscate.<\/p>\n
\u201cLive Wire\u201d still explodes out of the gate, but here it has a scrappier punk edge. \u201cPublic Enemy #1\u201d and \u201cTake Me To The Top\u201d feel less groomed and more desperate, while \u201cPiece Of Your Action\u201d practically reeks of cigarette smoke, cheap leather and Sunset Strip pavement after midnight.<\/p>\n
Then there are the songs that show M\u00d6TLEY CR\u00dcE were never just about speed and attitude. \u201cStarry Eyes\u201d carries a surprisingly bruised melodic streak, \u201cMerry-Go-Round\u201d leans into something darker and more vulnerable, and \u201cOn With The Show\u201d closes the original record with a strange sense of battered triumph.<\/p>\n
That roughness is exactly what makes the Leath\u00fcr version special. You can hear a band before success taught them how to sound enormous. The mistakes, the uneven edges and the youthful overconfidence are all still in the room \u2014 and they give the record a pulse the later mix could never completely reproduce.<\/p>\n
The 2026 remaster finally brings this legendary version properly into the digital age as part of the album\u2019s 45th anniversary celebration. For collectors, the deluxe box also restores the original 1981 edition on vinyl and CD alongside the 1982 Elektra version, March 1981 demos and previously unreleased Perkins Palace live recordings.<\/p>\n
This is not M\u00d6TLEY CR\u00dcE looking back at their youth through rose-colored glasses. This is the youth itself \u2014 loud, broke, sleazy and convinced it could conquer Hollywood by Friday night.<\/p>\n
Country: US
\nLabel: BMG
\nGenre: Hard Rock \/ Glam Metal \/ Sleaze Rock
\nOriginal release: November 1981
\n2026 release: October 30, 2026
\nFormat: Digital \/ 24-Bit 96 kHz
\nTotal time: 45:42<\/p>\n
Tracklist:
\n01 \u2013 Live Wire (Leath\u00fcr Records Version) (3:16)
\n02 \u2013 Public Enemy #1 (Leath\u00fcr Records Version) (4:23)
\n03 \u2013 Take Me To The Top (Leath\u00fcr Records Version) (3:44)
\n04 \u2013 Merry-Go-Round (Leath\u00fcr Records Version) (3:21)
\n05 \u2013 Piece Of Your Action (Leath\u00fcr Records Version) (4:41)
\n06 \u2013 Starry Eyes (Leath\u00fcr Records Version) (4:29)
\n07 \u2013 Stick To Your Guns (Leath\u00fcr Records Version) (4:19)
\n08 \u2013 Come On And Dance (Leath\u00fcr Records Version) (3:13)
\n09 \u2013 Too Fast For Love (Leath\u00fcr Records Version) (4:16)
\n10 \u2013 On With The Show (Leath\u00fcr Records Version) (4:03)
\n11 \u2013 Nobody Knows What It\u2019s Like To Be Lonely (Demo March 1981) (5:57)<\/p>\n
Vince Neil \u2013 Lead Vocals
\nMick Mars \u2013 Guitar
\nNikki Sixx \u2013 Bass
\nTommy Lee \u2013 Drums<\/p>\n
MP3<\/a> FLAC<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" <\/p>\n Originally self-released in November 1981 in a run of only around 900 copies, this is the album before Elektra cleaned the windows. The guitars are rougher, the rhythm section hits with less polish and more street-level impact, and Vince Neil sounds like he is singing from the middle of a club rather than the other side of a major-label mixing desk.<\/p>\n
\nBefore the hairspray towers, pyro budgets and tabloid mythology, M\u00d6TLEY CR\u00dcE were four hungry maniacs trying to set Los Angeles on fire with whatever they could afford. The original Leath\u00fcr Records version of \u201cToo Fast For Love\u201d is that moment caught on tape \u2014 raw, filthy, fast and still dangerous enough to leave tyre marks across the speakers.<\/p>\n